In Shakespeare’s Othello. we see the supporter Othello being deceived due to his openness of nature and credulity. When Iago estimates Othello’s character as follows. “The Moor is of a free and unfastened nature. / Those thinks work forces honest but seem to be so. / And will as tenderly be led by the nose/ As buttockss are. ” ( II. I. 387-90 ) . We see that it is this trait of his which strained his relationship with his darling Desdemona. The great calamity of Shakespeare. Othello. starts with a matrimony which was based on a really strong bond of love between Othello and Desdemona.
From the early portion of the drama itself. it is apparent that Othello has a little feeling about his lower status in footings of beauty and colour. He substantiates this point by stating that alternatively of loving him for what he is. “She loved me for the dangers I had pass’d. / And I loved her that she did feel for them. ” ( I. iii. 167-8 ) We see that throughout the drama. Othello is a victim of his ain green-eyed monster and Iago’s treachery. This gives manner to a alteration in attitude towards his lady love- Desdemona. As a consequence. Desdemona. one time the whole universe of Othello. became his ‘most loved enemy’ who happened to decease by his ain custodies.
Hence we can see that love in their relation reaches the highest point that even the lover’s life is at the temperament of her better half. That excessively as a victim of leery trueness Desdemona is believed by him to be immersed in an matter with his sure lieutenant. Cassio. To take advantage of the grains of intuition in the head of Othello about Desdemona. Iago sets the phase through her hankie. Othello is convinced by Iago that his frights about Desdemona’s disloyalty towards him are beyond uncertainty by assuring that he saw Desdemona’s hankie with Cassio: “By Heaven. that should be my handkerchief” ( IV. . 147 ) .
It is here that we get the most apparent cogent evidence of Othello towards his married woman as the love for his married woman is good conveyed by doing it clear that he can non bear to populate knowing that his married woman has become a prostitute. : “Aye. allow her putrefaction. and perish. and be damned tonight. for she shall non populate. ” ( IV. I. 168 ) . Thus a adult male. who was hailed for his royal line of descent. his accomplishment for escapade. his most efficient soldiering. his openness of nature and credulity. his modestness. and self-respect stoops to the degree of a liquidator without any 2nd ideas.
He did so because he loved his married woman so in a heartfelt way so that whether he lived or died. whether he maintained his repute or non. nil was of importance to him compared to his love for Desdemona. Here their relationship turns out to be dry for it is hard for a common adult male to believe that one would slay person for intense unmarred love. On the other manus. we see Desdemona burying her really self out of her reticent love and devotedness for Othello.
She idolized him. as she says: “I saw Othello’s countenance in his mind/ And to his honours and his valorous parts/ Did I my psyche and lucks consecrate. ( I. three. 251-3 ) . When she was charged with unfaithfulness. and that her hubby could non hold done anything more unkind. she could merely protest: “His unkindness may get the better of my life. / But ne’er defile my love. ” ( IV. two. 159-61 ) . Her tactlessness that springs from her pureness and artlessness was what brought about her decease. If she had imbibed the worldly axioms. which Emilia dispensed. she might hold averted the catastrophe. She made a capital blooper in prosecuting herself to beg for Cassio. She had non the remotest thought that her action might be misinterpreted. She did non recognize it even at the seeable displeasure of her Godhead.
A adult female of the universe would hold taken the intimation. and pressed no more Cassio’s suit. Iago. in malice of himself. intend but the simple truth when he said. “She is of so free. so sort. so blessed a temperament. she holds it a frailty in her goodness non to make more than she is requested. ” ( II. three. 298-9 ) . Not till the last minute did the truth interruption upon her head that she had compromised herself by pleading for Cassio. It is the simpleness and pureness of Othello and Desdemona. in all agencies that is exploited by Iago. who was trusted to the uttermost by both. particularly Othello. Othello’s life was ever lived by religion. alternatively of right.
Furthermore. he was a adult male whose nature was passionate and high. generous in idea and ready in action. He considered all that is elusive and oblique as dishonour. and as Desdemona understood about him. green-eyed monster and intuition was foreign to his nature. His life was ever identified with his absolute trust in Desdemona. But when a individual who was excessively honorable to him throughout and a good friend full of experience. award. devotedness and daintiness to him. exhorted excessively vehemently that Desdemona is non at all honest to him and that she is holding a really passionate love matter with Cassio. his artlessness and pureness forces him to believe it.
Desdemona excessively is a victim to the darker sunglassess of finer feelings like artlessness. pureness and simpleness. She is a saint who ever stood house for love. be it to her male parent or her hubby. She steadfastly believes that there is nil in this universe that can non be recovered by true love. Her reply refering the fatal hankie. “It is non lost ; but what an if it were? ” ( II. four. 79 ) shows she. most pitiably and with a childlike artlessness. enterprises to continue the truth of her relation to her hubby.
If she had tried to answer to the accusal she was in. with rough words. her beatific stature in the heads of those who loved her might hold faltered. A close reading of the drama substantiates the fact that Othello and Desdemona are the two most guiltless people that of all time existed. At first their relationship is romantic to the uttermost but it takes a profane chromaticity in class of clip due to the deficiency of a perfect foundation for a relationship. by race. colour. pique and character and hence we see an absence of trust. apprehension and communicating between the two. For Othello. the word ‘battle’ is of first importance as he was a perfect soldier.
We see him stating about himself: “Rude am I in my address. / And small bless’d with the soft phrase of peace ; / For since these weaponries of mine had seven years’ pith. / Till now some nine Moons wasted. they have us’d/ Their dearest action in the tented field ; / And small of this great universe can I speak/ More than pertains to efforts of grillings and battle” . ( I. three. 81-7 ) . In crisp contrast to this. we have Desdemona who is wholly inexperienced in the ways of the universe. It is Othello’s war narratives that infatuate her.
Once she identifies his virility and manfulness. she is taken aback with a huffy love towards him. But it should be debated whether that is a solid base on which a relation should be built on. We see that though she speaks so lovingly about him. her understanding about his nature is minimal. She defends her freshly born love for Othello. in the undermentioned words. ( among other things ) . “My downright force. and storm of lucks. / May cornet to the universe. My heart’s subdu’d / Even to the really quality of my Godhead. / I saw Othello’s countenance in his head. /……… psyche and fortune consecrate. ” ( I. iii 248-253 )
Therefore the whole drama shows forth that it is innocence and pureness that laid foundation to the failure of the relation between Othello and Desdemona who was renowned for the pureness of love between them traversing all the barriers that were ‘built’ by adult male. These good qualities. doubtless. turned fatal in their all embracing love. We find Anthony Trollope’s Lady Anna an disposed subsequence to the relationship presented between Othello and Desdemona. In the above-said novel we have Daniel Thwaite. a seamster and his lover. ulterior married woman. Lady Anna. who belongs to the nobility. There excessively we have Frederic alternatively of Cassio.
In both these plants we see that the people with whom the ladies are accused of holding an illicit relation are far better and appropriate than their present partners. This instills a feeling of lower status in both the work forces and that is what takes the attire of green-eyed monster and in class of clip their intense love to their better halves go excessively acrimonious and take them to much graving tool errors. Trollope. no uncertainty had Shakespeare’s Othello in head. while he was pulling his imitations of Lady Anna. Thwaite and Frederic to do them subsequences to Desdemona. Othello and Cassio severally.