The contemporary music such as rap and hip – hop have become one of the big entertainment methods to approach people. Hip – Hop is a musical art form, introduced by African-Americans in the mid seventies. It is an art that rapidly growing in various cultures. Today, the contemporary music such as rap and hip – hop is an art form that tells the social message to the community in a vulgar language. The rap and hip – hop artists communicates with the society by applying various nouns such as misogyny, violence, and sex abuse. Mary Breasted is a bestselling author and a research fellow at Stanford University’s Hoover Institution.
She thinks that rap and hip – hop music focuses on the social damages wrought by broken homes, family dysfunctions, and absent parent’s. She says that the contemporary musicians’ songs reflect the musician’s past lifestyle. Vertebrate’s opinion in regards to rap and hip – hop music persuades that it has grown in the influence of deplored themes such as suicide, misogyny, and drug abuses. However, Shelby Steele from The Wall Street Journal says that the motive behind the influence of rap and hip – hop culture in youth is the hatred to feelings.
He thinks that the papers behavior is likely to the slaves, who do not desire to feel the loves and fears that bound them to others. He persuades that the contemporary music promotes “Bad Naggers” thesis to the modern youth as an ideal form of Juvenile rebellion. While, Steele does make a reasonable point, but Breasted is more persuasive in regards to contemporary music such as rap and hip – hop because of understandable contents, more examples with explanation of rappers songs, and rappers history in regards to their songs.
Breasted explains her arguments by showing various examples of artists’ lyrics to undue that the rappers and hip – hop artists give a fairly accurate message as a part of society. She says that “To begin with music particularly popular among white teenage boys, one best – selling example of broken – home angst is that of the “nu – metal” band know as Papa Roach and led by singer/songwriter “Copy Dick” Shading (dubbed by one reviewer the “prince of dysfunction”).
Three members of that group, Copy Dick included , are self – identified children of divorce. In 2000, as critics noted at the time, their album Infest explored the theme of broken homes and child and manage rage. ” (Breasted 2) Breasted gives an example of Papa Roach band who created a song in regards to broken families and teenager’s anger toward their parent’s. Through Breasted paper, she points out that most of the rap and hip – hop artists propose a message to the society about the broken families and the impact on children’s life from it.
On the other hand, Shelby does mention that recent contemporary music are inspired from the issue of broken homes, but he never mentions the artists songs, in which the subject has been pointed out. He says that, Too many of today’s youth experienced a faithlessness and tenuous news even in that all-important relationship with their parent’s. ” (Shelby 2) Shelby said that children are observing the failure of active relationships with their parent’s. However, Shelby never points out that the rap and hip – hop artists mentions the lack of nurture through their specific songs.
Shelby also uses the complex language to present his ideas; whereas, Breasted uses the simple content to view her arguments. Breasted applies the straightforward language to execute her ideas with a bit of support of statistics. She says that, ” You look at statistics that 50 percent of parent’s get divorced, and you’re going to get a pretty large group of kids who are passed off and who don’t agree with their parent’s have done. ” (Breasted 3) Vertebrate’s arguments are straightforward about the cause of kids’ choices to rap and hip – hop songs, and they do support her stand by showing the statistics.
She thinks that the reason behind the rappers’ songs are merely focusing on the subjects of misogyny, violence, and sex abuse is because of parent’s lack of caring to their children. Conversely, Shelby arguments on anthropometry music such as rap and hip – hop are excessively abstract, and hard to understand his position. He says, “But for the most part, the BAN is the imagination’s compensation for the all-too-real impotence and confinement that slaves and segregated blacks actually endured.
He lives out a compensatory grandiosity – a self – preening superiority combined with a trickster’s cunning and a hyperbolic masculinity in which sexual potency is a vengeful and revolutionary force. ” (Shelby 1) Shelby is confusing the audience on what his arguments are mainly spotlighting on. Shelby supporting details do not connect to his arguments; while, Breasted directly appoints the arguments about the growing contemporary music in the youth generation.
Shelby compares the youth generation with the ideology of slavery. He says that, “l think the appeal of the BAN, on the deepest level, was his existential indifference to feeling–what might be called his immunity to feeling. The slave wanted not to feel the loves and fears that bound him to other people and thus weakened him into an accommodation with slavery. Better not to love at all if it meant such an accommodation. So the BAN felt nothing for anyone and had no fear even of death. (Shelby 2) Shelby expresses that the young generation is following rap and hip – hop culture because of slavery, which does not make any sense towards the subject of the article. He says that rappers and hip – hop artists create such kind of music because there were inspired from the slave, who were against the feeling of love and fear. On the other hand, Breasted believes that the rappers create vulgar language music because of their past sorrow life. The hip – hop artists’ childhood as suffered through the lack of parental cultivation, which does connect to the arguments that she mentioned.
She utters that, “Perhaps even more important, Mine is one of the largest commercially visible targets for parental wrath. Wildly popular among teenagers these last several years, he is also enormously successful in commercial terms. ” (Breasted 7) Vertebrate’s arguments in regards to why the rapper artists would follow the genre of vulgarism are straightforward. She has responsible supported her thoughts, but Shells could not connect the ideology teen the subject of slavery and the contemporary music.
Last but not least, Shells thinks that the modern culture is blamed for the creation of the rap and hip – hop artists’ music on sex abuse, violation, and misogyny. He thinks that the society is responsible to support such kind of talent. Shelled opinion on the creation of the rap and hip -hop is very Judgmental. He thinks that one can infect the culture into the vulgarism. On the other hand, Breasted believe that the increase of sex abuse, violation, and misogyny is caused by the careless attitude toward their children.
She HTH KS that, “The odd truth about contemporary teenage music – the characteristic that most separates it from what has gone before – is its compulsive insistence on the damage wrought by broken homes, family dysfunction, checked – out parent’s, and (especially) absent fathers. ” (Breasted 1) Vertebrate’s opinion on the cause of growing hip – hop culture is persuasive, and it does connect with the subject. Her view on today’s hip – hop culture growth is more effective than Shelled point of view towards the cause of growing contemporary music.