Every person experiences the possibilities and challenges presented through the feeling of a connexion or disjunction in one’s life. Their fortunes determine the manner these senses of belonging such as love and familial affinity is embraced. The connexions made through love. a natural phenomenon between two human existences. and familial affinity which is built-in in many households. are explored in the two texts As You Like It. a pastoral comedy drama by William Shakespeare. and Nathaniel Hawthorne’s short narrative The Ambitious Guest. Love is a profound connexion between two persons that presents the possibility of screening them from the shallowness of society. As You Like It by Shakespeare explores this through the sisterlike love between Celia and Rosalind. highlighted in the allusion to Roman mythology in ‘we still have slept together … learned. played. eat together… like Juno’s Swans. ’ underscoring their confidant association and inseparability.
The complete neglect for the shallowness of money and wealth is accentuated in the dramatic sarcasm of ‘I love Aliena… my father’s house and all the revenue… I estate upon you. ’ which illuminates how love can transform even the counter character of Oliver. The inflated apposition of two characters in ‘… from tyrant duke unto a tyrant brother. But heavenly Rosalind! ’ demonstrates that love can predominate over the hostile household ties Orlando has with his brother earlier in the drama. Love and trueness of Adam to Orlando. embodied in the exaggeration of ‘to the last pant with truth and loyalty… about fourscore here lived I. but now live here no more. ’ epitomises Adam’s devotedness which allows a sincere relationship guarding both characters from the dictatorship of Oliver. In As You Like It. the characters. Orlando and Rosalind embrace the challenges presented in their lives through love. trueness and company which are a signifier of a Communion leting to keep a echt relationship to protect them from the superficiality of society.
Similar to Shakespeare’s pastoral comedy. Nathaniel Hawthorne’s ‘The Ambitious Guest’ explores a impression that love unites two persons and Fosters an unconditioned connexion which allows them to develop a sense of security and company. This short narrative is about a immature adult male who visits a household life in an stray bungalow in the mountains. He discusses on the subject of aspiration. organizing ties with each household members. particularly with the eldest girl. The joviality of the girl towards this alien is illustrated in the prefiguration of ‘One glimpse and smiling placed the alien on a terms of guiltless acquaintance with the eldest girl. ’ representing the soft fondness between two human existences. The ocular imagination in ‘”You laugh at me” said he. taking the eldest daughter’s manus. and express joying himself. ’ illuminates the impression that their physical connexion initiates a sense of security for both persons who are secluded from mainstream society. The guest’s worship for the eldest girl like Orlando for Rosalind in As You Like It is depicted in the self-contradictory ‘he was watching the happy unhappiness. the tripping shadows. and the diffident longings of a maiden’s nature. ’
Similarly. the male parent and the mother’s harmonious relationship is denoted in the duologue of “when I think of your decease. Esther. I think of mine. excessively. ’ foregrounding the committedness and love for one another. The presence of love in The Ambitious Guest is exemplified through the word picture of the supporter. the eldest girl. and her parents. and presents the impression that their ties allow them develop a company get the better ofing the hardships of being secluded from society. Shakespeare’s As You Like It. besides explores the impression that an individual’s ability to get the better of adversities can be fuelled by familial solidarity or animus. The emphasized tone in ‘I have ne’er loved my brother in my life’ exemplifies the vindictive nature of a brother taking to the suppression of Orlando’s well-being and a loss of fraternal bond. However the lioness brush in Arden demonstrates Orlando’s brave actions to salvage his brother. leting rapprochement in the class of a shared hardship. as accentuated in the affectional linguistic communication of ‘But kindness. nobler even than revenge… perpetrating me unto my brother’s love. ’
Similar to the covetous nature of Oliver towards Orlando. the ill will of Duke Frederick provokes a familial difference against Rosalind. evident in the resolute tone ‘found so near our public court… 1000 diest for it. ’ Ironically. the ostracism consequences in release of Rosalind and Celia leting them to further a profound company. Shakspere represents this through inclusive linguistic communication ‘Now go in we content. to liberty and non to banishment’ . lighting the impression that love and trueness can overcome challenges presented in one’s life. The metaphor and ocular imagination in ‘this is no topographic point. this house is but a abattoir. ’ farther illustrates how a deficiency of familial affinity may ensue in withdrawal to a specific topographic point associated with household. such as place. As embodied in the word picture of Oliver and Duke Frederick. one’s enduring can be intensified in familial antipathy whilst the bond between Celia and Rosalind. every bit good as the reunion of the brothers demonstrate the ability of familial integrity to relieve one’s agony.
The Ambitious Guest. explores a impression similar to one in the drama As You Like It. that the presence of familial connexions or disjunctions in an individual’s life may determine his individuality. The sincere familial bond shared by a grandma and her grandchild in the narrative The Ambitious Guest is exemplified in the personification and the drawn-out metaphor of ‘the eldest girl was the image of Happiness at 17 and the elderly grandmother… was the image of Happiness adult old. ’ The guest’s sense of withdrawal caused by him being an foreigner is epitomised in the scriptural allusion ‘The household had that consciousness of integrity among themselves… maintaining a Holy topographic point in a domestic circle. ’ The protagonist’s segregation from society derived from a deficiency of household ties much like Orlando in AYLI is embodied in the affectional recount of ‘He had travelled far and entirely ; his whole life. so. had been a lone way. ’ The adult male. due to his deficiency of connexion with his ain household. is independent and is with great aspiration. as signified in the word picture of ‘The secret of the immature man’s character was a high and absent aspiration. ’
The household. besides segregated from society by pick. establishes their individualities within the domestic circle. which leads to harmony. as illustrated in the inclusive linguistic communication ‘it is better for us to sit here and be comfy and contented. though nobody thinks about us. ’ The Ambitious Guest embodies the impression that the presence or absence of relationships fostered in the domestic circle influences persons to organize a personal individuality. The two texts. As You Like It and The Ambitious Guest both embrace the chances and challenges that different facets of belonging nowadayss through the characters and their several scenes. The texts besides clearly demonstrate that an individual’s fortunes. such as Orlando and Rosalind’s in As You Like it or the guest in The Ambitious Guest. unambiguously organize how they react to the qualities of belonging. such as love. and familial connexion and disjunctions.